Notes of a Nine Years' Residence in Russia, from 1844 to 1853: With Notices of the Tzars Nicholas I. and Alexander II.

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T.C. Newby, 1855 - 310 halaman
 

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Halaman 274 - Who is here so base that would be a bondman ? If any, speak; for him have I offended. Who is here so rude that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile that will not love his country ? If...
Halaman 258 - Prince, (Volkhonsky, high steward,) the emperor walked into the room unexpectedly, yet with a design, as was soon made evident. Telling the actor that he had heard of his talents and should like to see a specimen of them, he bade him mimic the old minister. This feat was performed with so much gusto that the emperor laughed immoderately, and then, to the great horror of the poor actor, desired to have himself " taken off." " 'Tis physically impossible," pleaded Martineff. " Nonsense !" said Nicholas...
Halaman 258 - Finding himself on the horns of a dilemma, the mimic took heart of grace, and, with a promptitude and presence of mind that probably saved him, buttoned his coat over his breast, expanded his chest, threw up his head, and, assuming the imperial port to the best of his power, strode across the room and back ; then, stopping opposite the minister, he cried, in the exact tone and manner of the Czar, "Volkhonsky ! pay Monsieur Martineff one thousand silver roubles.
Halaman 258 - The Court of Russia in the Nineteenth Century." During an interview which Martineff, the comedian and mimic, had succeeded in obtaining with the prince [Volhonsky, highsteward], the emperor walked into the room unexpectedly, yet with a design, as was soon made evident. Telling the actor that he had heard of his talents, and should like to see a specimen of them, he bade him mimic the old minister. The feat waa performed with so much gusto, that the emperor laughed immoderately and then, to the horror...
Halaman 47 - They are all connected together, so that one can walk from one end of the train to the other while it is in motion.
Halaman 234 - ... not only witty himself, but the cause of wit in others ; — he is au admirable companion for youthful idleness and levity.
Halaman 29 - ... vestry of the British chapel among the friends who had assembled to pay the last honours to the deceased, when, with the pompous bluster that so often characterises naturalised foreigners who hold official situations, there entered General d'Estrem. Exposing his breast, covered with orders, and showing his heavy epaulettes, the latter began to patronise the company, consisting mostly of civilians, in a loud and unbecoming tone of voice, when suddenly he observed the smiling gentleman in a military...
Halaman 258 - sold," a few years ago. During an interview which Martineff, the comedian and mimic, had succeeded in obtaining with the Prince, (Volkhonsky, high steward,) the emperor walked into the room unexpectedly, yet with a design, as was soon made evident. Telling the actor that he had heard of his talents and should like to see a specimen of them, he bade him mimic the old minister. This feat was performed with so much gusto that the emperor laughed immoderately, and then, to the great horror of the poor...
Halaman 155 - ... as it is termed, concerning the interior economy and discipline of that far-famed corps. The Zouave gives him all the information he can desire with that peculiarly frank and fascinating manner which is fast dying out with the ancien regime, for though a private of Zouaves he is a marquis of France, the representative of one of the oldest families in the Empire, and a worthy scion of his chivalrous race. Rather than not draw the sword for his country, he has resigned his commission in that body...
Halaman 277 - II), when restraining himself in order to enjoy 'the more refined dishes, which would doubtless close the banquet', he was dismayed to find the meal was merely two-course and 'went home half-famished, vowing never to be taken in again by the prospect of a dinner at the palace'.30 But there were other commentators who attempted, not always convincingly, to link Krylov and his use of the fable with the political climate in Russia — a tendency which Leeds had consciously played down. Several years...

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