Patterns in Shakespearian TragedyPsychology Press, 2005 - 218 halaman First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
Kandungan
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
203 | |
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Istilah dan frasa biasa
accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge fear feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reality reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition triumph unnatural victory virtue Volumnia Wilson Knight wrong moral choice